Abduction (2011)

Taylor Lautner is out of reach. What works in the Twilight saga - where everyone is human just like a doll - Mattel Inc., is not functional in the context of a thriller in which each beat is clear and beaten by the film leaves little mystery . To the credit of the kidnappings, there is wall to wall action, despite the opening of a surf scene inspired hooded Death Proof. A family drama to the absurd, but not the humor or shine, Nicholas Ray.

Directed by John Singleton and starring a cast that is very good for wooden man driving the film - including Maria Bello, Alfred Molina, Jason Isaacs and Sigourney Weaver - The kidnapping is the story of a thrill-seeking, school privileged high school seniors. Nathan (Launtner) is in a beautiful suburb of Pittsburgh. The thrill seekers should be a telltale sign as hangers with his "father" (Isaacs) trade jokes like: "Be careful when you break the rules, you do not know what has caused" when the party becomes MMA Boxing casual. His mother, played by Bello (what she is here?) Maintains and says: "My Boys" with a big smile.

Nathan is also a therapy, anger management and told to suppress his childhood memories of a psychologist named Weaver. Singleton is a lot of fun with these scenes, reminiscent of Alfred Hitchcock and Ray, allowing the camera to linger for longer than is strictly catering to viewers who suffer from ADHD. Despite what the trailers have you believe, this is Hitchcock's Michael Bay.

Online research of a research paper for class 10 pages of Sociology and Karen sold her beautiful neighbor (Lily Collins) as a partner, they stumble in an online directory of missing children with age-turned pictures and call in. This triggers a chain reaction and the action kicked in, his parents are killed and Nathan - all training given by his alleged father - comes into play.

The film is essentially a long chance, as the last hour of Transformers: The Dark of the Moon, but it's a problem until the final standard, which has a strong trailers (at PNC Park). Of course, Nathan and Karen find themselves, but a film like this, no matter how artfully (and is smooth and polished) depends on the likability of the main performers. Collins is not bad - he proposes, if necessary. Lautner, who can throw a punch pretty well, otherwise a statement. If the film, which is even steeper scenes, quiet rooms of great action set pieces, a strong performer that can strike at several levels is necessary. In addition to writing or two (bland dialogue, that cuts right to the show does not help), abduction thing really needs is a new casting director.